As noted in my review of their new 32Classic console [Tape Op #159], in the of classic records, Harrison Audio had just as formidable a studio presence as console standard-bearers like Neve, MCI, API,...
If you took at face value the mythologizing of recording consoles as it stands today, you could be forgiven for thinking that Neve, API, and SSL made all the classic desks used for record production...
The Meris LVX is exactly the delay unit I have been dreaming of. Lucky for me, it’s also the delay unit that the folks at Meris have been dreaming up for over two years, and it's a masterclass...
It’s a good time to be an enthusiast of the classic Fairchild limiters of the past. Not all that long ago, there were no mass-market reproductions of the Fairchild 660 or 670, and only a...
Reviewing speakers is a funny game. As engineers, perhaps we pick up on how to evaluate monitors in a new listening environment and how to work within the limitations of those conditions – but...
There is absolute magic contained in the plastered walls of classic studios’ echo chambers. I’ve been lucky enough to make many records at Sound Emporium Studios in Nashville, which has...
The new Milab VIP-60 large diaphragm condenser mic is marketed as an update to its flagship VIP-50, but in all honesty, I had never heard of, seen, or used its predecessor. It’s quite refreshing...
When a pair of Audix’s new high-end A127 omnidirectional small diaphragm metal film condensers arrived in the mail, it took me a minute to put them into rotation; I felt as if I was waiting for...
The allure of a classic microphone design is powerful, and the emotional tug of a modern clone, that closely resembles its forerunner is undeniable – probably more valuable than many of us would...
It’s been a long time since a microphone has given me the thrill of being a kid playing with my first 4-track, but when a pair of Cortado MkIII contact mics showed up for review from...
