By November 24th we will have installed a new Rupert Neve Designs 5088 console at my studio, Jackpot! Recording Studio, in Portland, OR. Excited? Of course. And look, no EQ, no preamps and no automation. Just pure, perfect analog mixdown heaven. You want an EQ? Patch it in. Really. -LC
Tape Op is a bi-monthly magazine devoted to the art of record making.
Larry Crane adds an update to Eli Crews' original review of the Little Labs Redcloud 8810U8ERS Attenuator Pack.
Eli Crews did a great job of explaining this 8 channel attenuator eight years ago. What I find interesting is how, many years...
Yup. From 1985 to 1993 I was in a band with the polite name of Vomit Launch. One of our songs, "Exit Lines" is in a movie called "The Wackness", in theaters now. A pretty damn good movie, and our song fits the scene too well! Most of our back catalog...
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
We interviewed Loma in Tape Op issue #148 and spoke with members Dan Duszynski, Emily Cross, and Jonathan Meiburg about their recording process. Emily also did the cover art for that issue, and Jonathan is also a member of Shearwater and a Tape...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio.
The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing?
Music and Auditory illusions are discussed in the New Scientist
Tape Op contributor Allen Farmelo sent us this thoughtful piece on why the mag doesn't feature many "negative" reviews. Makes sense to me. I imagine anyone out there wanting us to write reviews ripping apart gear all the time still might come up...