Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts forth, I know I did. Even though I don't exactly use the same methodology, I do apply some of the same principles in different ways. A typical "Larry Crane" album will have basic tracks through a multitude of mic preamps picked for each instrument, tracked to 2" tape (16- or 24-track, speed and EQ picked for the "sound"), dumped to Pro Tools through Apogee Rosetta 800s, overdubbed in Pro Tools and mixed through the Rupert Neve Designs 5088 console with almost all analog EQ, compression and effects to 1/4" tape at usually 30 ips. That's a lot of tonal coloration going on and many subtle steps that affect the sound. And I like the results!
More Entries
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You Have a Credit Problem
by Anu Kirk
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond. I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
Blog
Brittany Howard and Shawn Everett: Bloody Marys and the Perfect Mix
by Geoff Stanfield
Shawn and Brittany on the similarities between the perfect bloody mary and the perfect mix.
Blog
The Rock ’n’ Roll Camp for Girls - Portland, OR
by Larry Crane
My friend, sts is the Program Director and an instructor at The Rock ’n’ Roll Camp for Girls. They’re currently building up their recording program, Rock Camp Studio and the "Recording Engineer Track" studies and are looking for...
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Sea of Bees in a Shed?
by John Baccigaluppi
Larry and I recently spent a few weeks in the UK doing some interviews for the mag that you'll be seeing soon. Over the weekend I left Larry in London to play some gigs in Oxford and Cornwall with my friends in Sea of Bees. One of the...
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Phill Brown Book
by Larry Crane
Some may remember us running excerpts from Phill Brown's book, Are We Still Rolling?, many years ago. We're proud to announce that Tape Op Books will be releasing Are We Still Rolling? this Fall. It's one hell of a read. In the meantime enjoy Phill's...
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Boo Hoo, People Are Recording at Home!
by Larry Crane
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response: XXX, Look on the Tape...
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Album Credits Are Just As Important As the Money We Make
by Larry Crane
Below is a Guest Post from Jim Janik: Album Credits Are Just As Important As the Money We Make (maybe more so) by: Jim Janik Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
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An Intern Rebuttal
by Larry Crane
I was gonna run this in the letters section of issue #78 coming up, but I just felt it was too long to fit well. -LC I just finished reading the letters section in the new issue [#77] regarding interns, and wanted to relate my experience. A couple...