We interviewed Mike Campbell for issue #150, right around the time he and his band, The Dirty Knobs released their second LP, External Combustion. A year on, the band has released a new collection of music, Vagabonds, Virgins and Misfits. The Dirty Knobs consists of Campbell, guitarist Chris Holt, bassist Lance Morrison, and drummer Matt Laug. Much of the album was co-produced by longtime Tom Petty studio collaborator, George Drakoulias.
Check out the video for "Dare to Dream" (feat. Graham Nash)
Released in 2024, Mdou Moctar's Funeral for Justice is a raucous, distorted guitar-driven album that, along with bands such as Tinariwen, turns the idea of "world music" on its head. The heavy tones of Moctar's guitar plus driving and trancey...
Some may remember us running excerpts from Phill Brown's book, Are We Still Rolling?, many years ago. We're proud to announce that Tape Op Books will be releasing Are We Still Rolling? this Fall. It's one hell of a read. In the meantime enjoy Phill's...
NYC-based duo Cults have just released their fifth album, To the Ghosts.
The album was co-produced by the band's Brian Oblivion and Madeline Follin with Shane Stoneback, mixed by John Congleton and mastered by Heba Kadry.
Check out Cults on the...
Rochester, NY’s The Chesterfield Kings have been leading their own garage rock revival since the late ‘70s. The new LP, We're Still All The Same, was recorded at Fab Gear Studios in Rochester, NY, and produced by Ed Stasium (Tape Op...
Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here.
It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven...
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special...
I recently have been digging through the Tape Op archives looking for writing, reviews and stuff we can post online. And I just found this snippet of hilariousness from Issue #7 in the Fall of 1997. Oh man, maybe I shouldn't post this... all...
A lot of you have probably heard the term “microphonic tubes.” But have you ever heard one in action? They actually turn into little microphones. (Hence the name).
So, this week I decided to replace the input tubes on my Manley...