-Larry Crane
I'm posting this for John as he's finishing up the next issue of Tape Op. -LC John Baccigaluppi's 2008 AES Surf Report This year's AES show in San Francisco was a lot of fun. The day before the show, I drove with our UK publisher Al Lawson and his...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
So during the mixing of a project last month I asked the band who they had picked out to master their album. They told me about someone I'd never heard of who was doing the job for very cheap, and I said, "Good luck." When they forwarded a...
Eric Liljestrand remembers his friend and working partner Hal Willner Hal and I spent countless hours, days, weeks, months in dark rooms all over creating some of the most original albums and film scores the world will ever hear. A solid third of...
(text from the Scotty Hard Trust website): Scott Harding is a highly accomplished New York City based music producer, engineer, and performer. Over the course of 20+ years, his rich and varied career has taken him to Africa, Europe, North America...
Over the last few years we've seen an explosion of online music services. Pandora, iTunes, Spotify, Rhapsody, Soundcloud and dozens of other platforms are touted as groundbreaking ways to deliver music to listeners. But this success is on the...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio. The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing? Music and Auditory illusions are discussed in the New Scientist
Our pal, Marc Bianchi of Her Space Holiday is guest editing Magnet Magazine this week. He has some nice things to say about Tape Op, and as one of our original readers we thank him for the log time support and writing about us. Plus adding the video...
NYC-based duo Cults have just released their fifth album, To the Ghosts. The album was co-produced by the band's Brian Oblivion and Madeline Follin with Shane Stoneback, mixed by John Congleton and mastered by Heba Kadry. Check out Cults on the...
