There are Giorgio Morodor vibes on tracks like "Volume" and plenty of driving four-on-the floor beats with bubbling basslines throughout. Tempos on the whole are edgy, sometimes hyper and unsettled, but it maintains a grooviness that will keep the dancefloor full of undulating bodies.
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response: XXX, Look on the Tape...
Our pal Ronan Chris Murphy does this cool "TV" show on his site, http://ronansrecordingshow.com, and the most recent one is with me and John Baccigaluppi where we talk about Tape Op Magazine. I think it's a good insight into how the mag works and who...
Steve AlbiniRemembered by Larry Crane On Jan 19, 1987, I clambered aboard a yacht in Emeryville, CA, to interview Steve Albini and the band Big Black for BravEar Magazine, a conversation that unfortunately was never published due to the mag folding...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...
What another great year for music! It is always a challenge to sit down, reflect and try to narrow down all our favorite albums of the year (let alone a full decade!) into a simple list. Here at Tape Op we are frequently making music suggestions...
During this year's SXSW music festival someone asked me how many times I'd been to Austin, Texas, for this event. I had no idea. Eight? Ten? Since the mid-'90s I've certainly attended many times, most as a panelist, but always as a music fan. And...
CASE ONE: Many years ago I was sent a very complex piece of recording equipment to review. It basically performed one simple function; but its inherent design was the concept that every parameter could be adjusted. Some similar devices I already...
