Cedric Burnside performs "Love Her 'Til I Die" for the OneMic Series!
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...
by John Baccigaluppi It may not be obvious, but as this magazine’s graphic designer, the recently passed Vaughan Oliver was a major influence on the look of Tape Op Magazine. Being someone who’s not involved with social media, and as...
Some may remember us running excerpts from Phill Brown's book, Are We Still Rolling?, many years ago. We're proud to announce that Tape Op Books will be releasing Are We Still Rolling? this Fall. It's one hell of a read. In the meantime enjoy Phill's...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)*** THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical" by Ainjel Emme (originally...
I.R.S. Actually, its an acronym for the Internal Revenue Service. And for our Non-U.S. readers, please enjoy the fun. I recently spent December through April undergoing a multiple year audit or our studio’s financials. I want to share...
Wade Baynham of The Second Story studio in Durham, NC, posted a nice piece about Ethan's End Rant in issue #88.
I politely asked Youtube to remove a song by my old band that someone had posted without permission. They took it down but then apologized "sorry about that" and ran my business name as if "blaming me" for removing content. Really? Wow. Pretty...
