https://loop.ableton.com/2020/register/
https://tapeop.com/blog/2019/09/17/abletons-loop-2018-summit-music-makers/
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
A few years ago a Northwest music mag (now defunct) interviewed some Portland "best new band" character and the moron spouted out that nothing had been going on in Portland before his band moved to town - that this was the turning point when...
By John BaccigaluppiPhotos by Cynthia Connolly If you haven't yet, check out Larry's review in this issue for some insight into the recently published book, The Inner Ear of Don Zientara. I hope you know who Don is. As Ted Nicely says in the book,...
Why did I think I could set up my home studio in a couple of hours when it took four months to move Jackpot! to a new building? Tomorrow's shopping list: Solder, S/PDIF cables, etc... I'm amazed at how tangled and messy this quickly got. All I...
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
The Decemberists' ninth album, As It Ever Was, So It Will Be Again, is out now. In 2003 I got a call from Colin Meloy about maybe recording his band, The Decemberists. Tape Op contributor, Adam Selzer, had already recorded some tracks for what...
OK, fine, I admit it -- I secretly envy hip hop's most ostentatious bling nuggets (T-Pain's new joint makes me particularly weak-kneed), but let's face it, none of that stuff has any place adorning a guy like me, even if the recession means I now...
Berklee College of Music sponsored a recent Tape Op newsletter and it got me thinking about music schools. In terms of my personal recording path, I learned on my own through trial and error and via mentors. You can read a little bit about that...
