Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
We are witnessing the dawn of dramatic format changes for audio delivery. On the one hand, we now have streaming audio and, on the other hand, we have the movement away from compressed digital formats toward higher-resolution digital files. The CD...
by Alex Maiolo
One of our patron saints of recording, Mitch Easter [Tape Op #21], turns 70 today. That's almost irrelevant, as this treasure of a human should be celebrated every day, but it prompted me to write about his impact.
Like anyone,...
Thanks for this guest post by John Morand
I wasn’t surprised when I heard that Daniel Johnston had died. It was 9-11 and for me, there would always be a connection between Daniel and 9-11. In the days after the attack, when...
Everything Louder Than Everything Else is a self-described "no-budget semi-scripted drama/comedy" set in a recording studio (in actuality, Vancouver's Hive Creative Labs).
Rob Leickner ( Director, Writer, Editor, Camera, Producer)...
NYC-based duo Cults have just released their fifth album, To the Ghosts.
The album was co-produced by the band's Brian Oblivion and Madeline Follin with Shane Stoneback, mixed by John Congleton and mastered by Heba Kadry.
Check out Cults on the...
By Pete Droge
Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones."
...
Well, not my maker but the man behind the baby that is our RND5088 console at Jackpot! I got to spend a little time (and a photoshoot) with Rupert Neve at The Magic Shop in NYC during the AES convention last week. Thanks to Steve Rosenthal for...
We interviewed Mike Campbell for issue #150, right around the time he and his band, The Dirty Knobs released their second LP, External Combustion. A year on, the band has released a new collection of music, Vagabonds, Virgins and Misfits. The Dirty...
Some Maybe Not-So-Obvious Items Every Studio Needs
In the past we've run a few columns about items every studio should have, like Sharpie pens and masking tape, but here I decided to look around me and think about all the items that aren't...