To accompany the new documentary film, Eno, a career spanning soundtrack has also been released. It is a 17-track album that dips into many eras of his 50 year solo career. We recommend checking out all of Eno's solo recordings, collaborations, and his extensive production work, but this is a good overview that incudes some of his recordings with Cluster, John Cale, David Byrne, Roger Eno, and more.
The original Eno footage included in the video for "Stiff" was shot in the early 90’s and finally unearthed by Gary Hustwit in the making of the Eno film. The song is included in both the film and official soundtrack album.
Tape Op is a bi-monthly magazine devoted to the art of record making.
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
Here's a guest spot from our pal Larry Devivo. It didn't quite fit a reply for Tape Op letters, but it's a great story and I wanted to share it. -LC
There is a new microphone made called the Lucas CS-1. This mic is the brainchild of Terry Manning...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...
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Hipper music bloggers than you're likely to ever find here have been freaking out over surrealist hip hop duo Das Racist for a while now, ever since the Pineapple Express rap tune "Combination Pizza Hut and Taco Bell" came out earlier this year. Even...
Vintage King recently celebrated their 30 year anniversary. Like most things, there is a story behind what has now become a fantastic retailer of both vintage and modern recording equipment. I caught up with founder Michael Nehra on a Zoom call and...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...