I’m still shocked at the passing of Martin Phillips of The Chills. He made a number of songs and albums that truly inspired me and many others. Please check out the interview I did with him in 1997, and listen to his song “Pink Frost” if you’ve never heard his music. You’ll find the beauty and sadness of this song quite fitting. It’s one of many great songs from a great writer. -Larry Crane
Tape Op is a bi-monthly magazine devoted to the art of record making.
I came across Blitzen Trapper's self-titled debut album back in 2003, and have followed their career and counted myself as a fan since. I interviewed the band's leader, songwriter, and producer Eric Earley about his 2020 release, Holy Smokes Future...
It's that time of year again where we go back through our digital listening histories or simply look over at the turntable to get a handle on just what we were enjoying this past year. There were a ton of great releases this year, many of them...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997)
As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
We are excited to announce Creative Recording With Tape Op. This video series covers a wide range of recording and mixing topics, concepts, and solutions. We look forward to sharing these conversations with you in the coming weeks and months, but...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio.
The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing?
Music and Auditory illusions are discussed in the New Scientist
Remember Henry Hirsch from issue ? He's moved locations yet again, and his new studio (in Hudson, NY) looks fabulous. Check it out here.
An unreal space and an amazing engineer/producer.
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB
It’s hard to imagine a music software company...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...