Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here.
It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven Massey's blog for this tidbit.
Tape Op is a bi-monthly magazine devoted to the art of record making.
We sent intrepid reporter Jeorgia Anderson to cover this fascinating event. -LC
When I read that the Association for Recorded Sound Collections (ARSC) was holding their 45th annual conference in downtown Los Angeles May 11-14, I went to...
August 17th marked the release of a new Joe Meek restrospective.
The full album's title is Joe Meek: From Taboo to Telstar 1962: A Year In The Life of 304 Holloway Road (Joe Meek's Tea Chest Tapes).
This is not necessarily "new" music from...
Larry Crane and Geoff Stanfield discuss mixing analog vs. in the box vs. a hybrid approach in the latest episode of Creative Recording With Tape Op!
This episode is made possible with support from our friends at BURL Audio.
I just wanted to make sure everyone knows that we have finally published Phill Brown's book. In issue #12 Larry Crane and Chris Eckman interviewed Phill Brown, a producer/engineer with credits like Mott the Hoople, David Bowie, Sly Stone, Led...
Tape Op Magazines and the Tape Op Book Vol. II are featured in the reading materials section of the "Sonic Youth, etc: Sensation Fix" traveling art exhibition. Thanks, Sonic Youth!
"The exhibition Sonic Youth, etc: Sensation Fix focuses on the...
Bassist, singer, and songwriter, esperanza spalding, (Tape Op #147) has just released new music, a collaboration with Brazilian legend Milton Nascimento.
Milton + esperanza is a delightful listen that has foundational roots in Brazilian...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997)
As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
I recently mixed my first album entirely on my laptop. Yeah, maybe I'm a decade behind the curve but I also own a studio and have done a majority of my work there. On this job we were attempting to cut and mix a record in three days and we didn't...