Ivan Anderson reviewed the Red Panda BitMap 2 pedal in the latest issue of Tape Op, but he also makes great and highly entertaining videos for many of his reviews. Enjoy!
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
From reader David Matysiak: "I would love to talk to you about audio experiment that I've been working on. It's a project called Telephono. Based on the children's game where you whisper a message and it gets around a circle of people, then sounds...
We interviewed John Cale in issue #156 around the time of his previous release, Mercy. He has just released POPtical Illusion, a collection of synth and keyboard heavy tunes that carry a heavy, and at times angry message about the state of the...
I just finished reading your article, "My Unwritten (Until Now) "Rules" in the studio," Tape Op #85. Let me offer up a few words of wisdom on your well-written points. - Don't play music by other artists: In 1978 I was working with a...
You saw it here first! In this video, we step into Adrian Quesada's (Black Pumas, Grupo Fantasma) Electric Deluxe Studio for an in depth breakdown of "Mentiras Con Cariño, the single from his latest release Boleros...
Now that the Tape Op iPad app is available, we've been trying to figure out the best ways to get the magazine to other digital formats. Expansion to other full-fledged tablets (Android, etc) is a fairly straightforward - if laborious - process, in...
The Decemberists' ninth album, As It Ever Was, So It Will Be Again, is out now. In 2003 I got a call from Colin Meloy about maybe recording his band, The Decemberists. Tape Op contributor, Adam Selzer, had already recorded some tracks for what...
Will Oldham, aka Bonnie "Prince" Billy, has just released his 27th album, The Purple Bird. Fans will find the album sits in a familiar country/Americana groove, but The Purple Bird seems to have a touch more fit, finish, and...
It wasn’t that long ago that when you went into the studio you basically disappeared from the rest of the world into a place with few (or no) windows, and low light. Where time seemed to have a way of getting distorted, finding yourself rolling...
