Seems like it's Sylvia Massy week over here at Tape Op! Here is another cool session trailer from Mix With The Masters where Sylvia records the Melvins!
Michael Cozzi (Guitarist/Producer Shriekback, Sky Cries Mary etc... ) dropped us a line about his newly built Moscozzi Studio in Seattle. he says, "I was able to complete it on a shoestring budget using largely re-salvaged materials." Luckily for...
My pal just sent me this awesome piece written by a screenwriter about people asking him to read their scripts. And yes, I think anyone who works in whatever given field can understand this. Damned if you do, and an asshole if you don't. And of...
Simultaneously making apparent the depths of both my dorkiness and my loyalty, I steadfastly stood by Imogen Heap's "Hide and Seek" all through its various tribulations over the last couple years -- first with its questionable placement on the OC,...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB It’s hard to imagine a music software company...
Bassist, singer, and songwriter, esperanza spalding, (Tape Op #147) has just released new music, a collaboration with Brazilian legend Milton Nascimento. Milton + esperanza is a delightful listen that has foundational roots in Brazilian...
Legendary British sound engineer and producer Andy Johns has died at the age of 61. During his more-than-thirty-year career, Johns worked with some of rock music's biggest names, engineering records for Led Zeppelin, The Rolling Stones, Eric...
Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts...
So, Fort George Brewery & Public House in Astoria, OR, made an actual Tape Op-branded craft beer. It's called Overdub IPA, and it looks like this: Here is what Fort George had to say about their creation: A good beer is like a good sound...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond. I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
