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You know, when an email with a title like this shows up at Tape Op we just gotta laugh. And an email just did show up, and I hope I don't alienate a potential advertiser or supporter, but hey, please think of another way to promote your...
Here's a clip of a rare Rolling Stone interview with the Lizard King talking about making records around 2 1/2 minutes in. “I could never produce ... because I don’t have the patience for it. I think that’s the main thing. Who's...
by John Baccigaluppi The music industry trade shows, and the NAMM Show in particular, have always been a mixed bag for me. Every year, for the last 20 years or so, Larry and I, along with Geoff, Scott, and Marsha (We miss you Andy, Dave, and Laura!)...
Below is a Guest Post from Jim Janik: Album Credits Are Just As Important As the Money We Make (maybe more so) by: Jim Janik Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
Thom and John had a great time at Loop 2018, so we wanted to let everybody know that Loop 2020 is open for registration now. This event always sells out way in advance, so don’t...
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
