Read the review of the RND 5088 Console
Check out the new single and video, "Vintage" from Moses Sumney. We’re big fans of Moses here at Tape Op, and his LP Aromanticism made both John and Geoff’s best of 2017 year end list. "Vintage" pulls the listener into its...
Amidst all the bad news and chaos in the world, there are a few silver linings. One of them is having a bit of extra time for listening. Whether it's while you are working from home, maniacally crafting or cooking that 57th batch of cookies, it...
So I just noticed an email in my inbox from a PR person with the headline: "XXXXX MICS FEATURED IN THE BEATLES?: ROCK BAND? VIDEO GAME". What's next? "Shure SM57 seen briefly in a movie"? "Rob Thomas sings into wrong side of a mic in a video"? Oh...
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership. Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
It was at a recent trade show, after a major DAW manufacturer cancelled our meeting, that I realized I was relieved to be off the hook. I always enjoy meeting with this person, and I use and like their products. But I was relieved to not hear...
Larry interviewed Jack White back in Tape Op #82, and we went inside his Third Man Records pressing plant in issue #127. White just released his sixth solo album, No Name. It is a great listen filled with whisps of Zeppelin, swamp blues, Detroit...
by John Baccigaluppi We recently did an interview with producer Larry Klein that will run in an issue of Tape Op in 2020, but here's an excerpt about a recently-released project he worked on called Beyond Music. A couple of years ago, these...
James Goss has interviewed many independent record store owners across the country to see how they stay in business and what they sell. Every month a new store will be profiled with interviews and photos. Pretty fun. Here's the link: Vinyl Lives
Released in 2024, Mdou Moctar's Funeral for Justice is a raucous, distorted guitar-driven album that, along with bands such as Tinariwen, turns the idea of "world music" on its head. The heavy tones of Moctar's guitar plus driving and trancey...
