Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends who dropped by to collate and staple for free beers! Thanks to all the folks that have worked so hard with us, and to all the amazing subscribers out there! -LC
Tape Op is a bi-monthly magazine devoted to the art of record making.
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
Thanks for this guest post by John Morand
I wasn’t surprised when I heard that Daniel Johnston had died. It was 9-11 and for me, there would always be a connection between Daniel and 9-11. In the days after the attack, when...
Our pal, Howard Massey, has a new book out, Behind The Glass Volume II. Volume I was a real treat, and Howard also co-wrote Geoff Emerick's excellent Here, There and Everywhere: My Life Recording the Music of the Beatles. There's a ridiculous amount...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps
One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
(text from the Scotty Hard Trust website): Scott Harding is a highly accomplished New York City based music producer, engineer, and performer. Over the course of 20+ years, his rich and varied career has taken him to Africa, Europe, North America...
Check out the new St. Vincent LP, All Born Screaming, and video for the track "Broken Man" out now. The album was recorded and mixed by Cian Riordan who interviewed Annie Clark (aka St. Vincent) for Tape Op #134.
Read the Tape Op...
Last week Cycling 74 released the tremendous version 6 update to Max/MSP, their flagship multimedia programming platform, which provides an appealingly artistic interface into audio, MIDI, and video focused logic at a nonetheless ...
Subconscious Auditory Effects (SAE) is a term I have cobbled together to encapsulate a broad range of phenomena in this barely-studied field of inquiry. An SAE is any measurable effect on a person caused by a sound, or change in sound, that is...