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Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
James Beaudreau is a former member of the Billy Nayer Show (1998-2003) and started Workbench Recordings - a netlabel, blog, and recording studio in NYC. They release one track every Tuesday along with artwork and texts about the creative process,...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
My pal just sent me this awesome piece written by a screenwriter about people asking him to read their scripts. And yes, I think anyone who works in whatever given field can understand this. Damned if you do, and an asshole if you don't. And of...
MFNW Music & Technology Panel Announced for Portland Digital eXperience August 16, 2012 - Portland, OR -- The first year of Portland Digital eXperience at the 2012 MFNW will feature a special music and technology panel with some of...
Check out the new video and single "Honeycrash" from SASAMI (#157). Produced by Jennifer Decilveo, who is interviewed in our May issue. Listen to "Honeycrash" Check out our interviews with SASAMI and Jennifer here: SASAMI Tape...
By John BaccigaluppiPhotos by Cynthia Connolly If you haven't yet, check out Larry's review in this issue for some insight into the recently published book, The Inner Ear of Don Zientara. I hope you know who Don is. As Ted Nicely says in the book,...
Dear Tape Op Readers, We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident. Our voices and collective action have never been more needed than right now. Human...
During this year's SXSW music festival someone asked me how many times I'd been to Austin, Texas, for this event. I had no idea. Eight? Ten? Since the mid-'90s I've certainly attended many times, most as a panelist, but always as a music fan. And...
