Check out this interview with our own Larry Crane in Spanish language audio magazine Audioforo!
Read it HERE
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...
For their eighth (!!!) release in three years, King Gizzard and the Lizard Wizard give the world Butterfly 3000. It is hard to know what to expect from this band of Aussies. They have spanned the genre spectrum with metal, garage-psychedelia,...
My pals have finally lost their minds. Apparently they wore blue ribbons to the Grammy Awards last week in protest of the use of Auto-Tune, and specifically mentioned Kanye West's new album, 808s & Heartbreak. Okay guys, I'm thinking of asking for a...
Sick of this economy and its doom and gloom? Sick of bands saying they don’t have money to record? Sick of top 40 radio? I have the answer: do something about it. Support independent musicians by going out and purchasing CDs from bands...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets. Let's...
For his new release, Honey, Caribou's Dan Snaith (Tape Op #35, #105) wears his Detroit techno influences on his sleeve, and uses AI to explore and reimagine vocals as well as manipulate his voice, to create an album of dance tracks that...
I'll be doing a "Quickies 6: In the Studio" panel-type thing at SXSW on Saturday, March 20th, 11:00 AM, at the Austin Convention Center, Room 16A. I think you have to sign up for this, so check their website for more info. It'd be cool to meet some...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
