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Tape Op Magazine’s founder and editor, Larry Crane, has been mixing songs and albums for people from all over the United States and the world for over 20 years. Many of these sessions are unattended, and here’s a glimpse into his...
With news of Neil Young pushing to get studio quality audio out to the consumer, it occurred to me that it would be good to get some perspective on how we go about comparing audio quality. One of the most problematic issues surrounding audio...
Shawn and Brittany on the similarities between the perfect bloody mary and the perfect mix.
For their eighth (!!!) release in three years, King Gizzard and the Lizard Wizard give the world Butterfly 3000. It is hard to know what to expect from this band of Aussies. They have spanned the genre spectrum with metal, garage-psychedelia,...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
Here's a clip of a rare Rolling Stone interview with the Lizard King talking about making records around 2 1/2 minutes in. “I could never produce ... because I don’t have the patience for it. I think that’s the main thing. Who's...
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)*** THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical" by Ainjel Emme (originally...
I'll be doing a "Quickies 6: In the Studio" panel-type thing at SXSW on Saturday, March 20th, 11:00 AM, at the Austin Convention Center, Room 16A. I think you have to sign up for this, so check their website for more info. It'd be cool to meet some...
