Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
June 21st marked the release of a new Menahan Street Band EP, Tropical Man. We interviewed band member Tommy Brenneck for Tape Op issue #147. Tropical Man is a six song EP that has just two songs, but multiple versions/mixes of each. Both...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
by John Baccigaluppi
It may not be obvious, but as this magazine’s graphic designer, the recently passed Vaughan Oliver was a major influence on the look of Tape Op Magazine. Being someone who’s not involved with social media, and as...
I'll bet if you asked any busy business owner or manager what they spend the the most time doing, it would be the art of telling people, "No." For years I've found this to be true in regards to running Tape Op Magazine. "No" may seem a negative...
I've interviewed and enjoyed Alan Parsons' company a number of times over the years, and a while back he even cornered me at an AES conference and videotaped a quick interview about Tape Op. He claimed to be putting together a video about recording....
Now that the Tape Op iPad app is available, we've been trying to figure out the best ways to get the magazine to other digital formats. Expansion to other full-fledged tablets (Android, etc) is a fairly straightforward - if laborious - process, in...
by Larry Crane
In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...