Tape Op Magazine’s founder and editor, Larry Crane, has been mixing songs and albums for people from all over the United States and the world for over 20 years. Many of these sessions are unattended, and here’s a glimpse into his process. Visit his website for more information.
Still openings: Larry Crane Recording Workshop in Portland, Aug 17/18, 2013 at Jackpot! Recording Studio. http://bit.ly/13sJ0Ds
Amidst all the bad news and chaos in the world, there are a few silver linings. One of them is having a bit of extra time for listening. Whether it's while you are working from home, maniacally crafting or cooking that 57th batch of cookies, it...
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
The 129th AES Convention takes place Nov 4-7, and the Exhibitor's Hall is open Nov 5-7, where we'll be sitting patiently at a table giving away Tape Op magazines to passers by and answering questions about where the bathrooms are located and...
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Hello Friends, Yes the rumours are true! We are happy to announce the release of the Tape Op iPad app! And for those folks that are not Apple product users don't despair, there is an Andriod version coming soon. You can log in using...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997) As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
Stopify.net is a newly published community base and informational resource for why Spotify is damaging to artists and to the music industry as a whole. Check out a centralized list of articles about the topic, and add your two cents to the growing...
Our pal Howard Bilerman will be interviewing legendary producer Bob Johnston in Montreal coming up. Should be a real hoot!
So during the mixing of a project last month I asked the band who they had picked out to master their album. They told me about someone I'd never heard of who was doing the job for very cheap, and I said, "Good luck." When they forwarded a...
