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I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...
Why did I think I could set up my home studio in a couple of hours when it took four months to move Jackpot! to a new building? Tomorrow's shopping list: Solder, S/PDIF cables, etc... I'm amazed at how tangled and messy this quickly got. All I...
I've interviewed and enjoyed Alan Parsons' company a number of times over the years, and a while back he even cornered me at an AES conference and videotaped a quick interview about Tape Op. He claimed to be putting together a video about recording....
If you're sending tracks to other folks for mixing and/or sorting out, here's a suggestion from our pal Goat(boy), Andrew Gilchrist. -LC Larry, Sitting on a plane, flying today from Spain to Switzerland, on my seemingly endless tour. Finally...
Here I am at Powell's City of Books in Portland doing the book reading. Quite fun to get up and make an ass of myself in a book store. Thanks to Leigh Marble and Ben for playing sweet music, to Kevin Sampsell for arranging this for Powell's, and to...
Tape Op contributor Allen Farmelo sent us this thoughtful piece on why the mag doesn't feature many "negative" reviews. Makes sense to me. I imagine anyone out there wanting us to write reviews ripping apart gear all the time still might come up...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
At our Tape Op Party during SXSW last week the fine folks at Sound Toys announced and gave away a new plug-in - the Devil-Loc! You have to grab this before March 31, 2011. Act now! Go here for the free Devil-Loc Plug-in Sharing Code:...