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I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
CASE ONE: Many years ago I was sent a very complex piece of recording equipment to review. It basically performed one simple function; but its inherent design was the concept that every parameter could be adjusted. Some similar devices I already...
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
From reader David Matysiak: "I would love to talk to you about audio experiment that I've been working on. It's a project called Telephono. Based on the children's game where you whisper a message and it gets around a circle of people, then sounds...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
By November 24th we will have installed a new Rupert Neve Designs 5088 console at my studio, Jackpot! Recording Studio, in Portland, OR. Excited? Of course. And look, no EQ, no preamps and no automation. Just pure, perfect analog mixdown heaven. You...
Some Tape Op readers started this site/podcast some time back. More home recorded music. -LC "creot radio is produced by an international collective of independent artists. shows are recorded by individual hosts and are intended to reflect the...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
Check out the latest episode of our Creative Recording with Tape Op video series. Tape Op's editor, Larry Crane, and our online publisher, Geoff Stanfield discuss the oft-debated topic of how to pan the drums when mixing!
