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When we ran a page featuring senior contributor Garrett Haines' "Building Troubleshooting Skills" in Tape Op #84 I never expected to get the kind of replies we did below. The Letters section for upcoming issues was too full, so I'm posting these...
Shawn and Brittany on the similarities between the perfect bloody mary and the perfect mix.
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
Legendary British sound engineer and producer Andy Johns has died at the age of 61. During his more-than-thirty-year career, Johns worked with some of rock music's biggest names, engineering records for Led Zeppelin, The Rolling Stones, Eric...
Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
Larry Crane and Geoff Stanfield discuss mixing analog vs. in the box vs. a hybrid approach in the latest episode of Creative Recording With Tape Op! This episode is made possible with support from our friends at BURL Audio.
by Larry Crane In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
