Don't forget, if you happen to be in Austin next week for some big music even, like SXSW or something, that we're throwing a kick-ass party at the Lucky Lounge from 2-6 pm on March 15th, Thursday. Okay? RSVP HERE!
Seems like it's Sylvia Massy week over here at Tape Op! Here is another cool session trailer from Mix With The Masters where Sylvia records the Melvins!
Berklee College of Music sponsored a recent Tape Op newsletter and it got me thinking about music schools. In terms of my personal recording path, I learned on my own through trial and error and via mentors. You can read a little bit about that...
Get Your Free Pass to AES in NYC on Tape Op! http://www.aesshow.com/aes17top
We interviewed John Cale in issue #156 around the time of his previous release, Mercy. He has just released POPtical Illusion, a collection of synth and keyboard heavy tunes that carry a heavy, and at times angry message about the state of the...
Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
Listen One of my favorite records of 2024 to date is Phosphorescent’s Revelator. It’s a beautifully recorded album, featuring Matthew Houck's timeless songwriting and lyrics plus gorgeous arrangements. I was hooked the first...
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
Photo: Larry Crane The recent passing of Ed Cherney sent me to my archives. I'd interviewed Ed many years ago and he asked me not to run it. We went back and forth about it, and I never understood why he didn't want this interview in Tape Op....
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)*** THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical" by Ainjel Emme (originally...
