Why did I think I could set up my home studio in a couple of hours when it took four months to move Jackpot! to a new building? Tomorrow's shopping list: Solder, S/PDIF cables, etc... I'm amazed at how tangled and messy this quickly got. All I wanted to do was start mixing some stuff.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Enjoy a light-hearted animated romp courtesy of xtranormal.com's wonderful service. This is a real comment posted to our blog here. Sure is nice to feel the love.
April 15th marks the 25th anniversary of Tape Op Magazine! To mark the occasion, Tape Op founder and editor Larry Crane is making a series of short videos talking about the journey of the mag and some of the memories had along the...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...
Larry Crane
1. David Gilmour - Luck and StrangeThe fifth solo album by Pink Floyd's guitarist/vocalist is an incredibly strong release full of beautiful, haunting songs and – of course – great guitar solos. Co-produced by David...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
I interviewed David J in 2015, as I had long been a fan of his bands Bauhaus and Love & Rockets, and had been buying his solo albums since his first works in the '80s. We ended up working on some music with Barton Carroll at my studio a year or...
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
I've received a few pretty odd emails recently. I know times are tough, unemployment sucks, but really, expecting any sort of "bailout" from the music biz has got to be the most delusional crap I've come across. Making a living in music requires hard...