Blog
Preparing Your Release For Vinyl
by Geoff Stanfield
Vinyl 101 - Preparing Your Release for Vinyl from Telegraph Mastering on Vimeo.
Vinyl 101 - Preparing Your Release for Vinyl from Telegraph Mastering on Vimeo.
During one of the many calls I have on a regular basis with my musician and audio professional friends, it dawned on me what a priveldge these conversations are and thought it might be a good idea to share them with a larger audience as a way to take...
Caro Snatch did this interesting online interview with Robert Henke from Monolake on her site. An interesting note is that he created this album, Silence, "without any compression." Well, yeah, uh, if you work in the box and want to draw/automate...
It wasn’t that long ago that when you went into the studio you basically disappeared from the rest of the world into a place with few (or no) windows, and low light. Where time seemed to have a way of getting distorted, finding yourself rolling...
In issue 32 we had a short review of Linda Smith's current CD. Even though we meant to get an interview with Linda in the mag at some point, for some reason it never quite happened. Jump to 2011 and Linda has assembled a site full of MP3's of her...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
Here’s a fun and upbeat track from an unlikely collaboration between John Legend and Sufjan Stevens. Check out the first single “L-O-V-E” that features Legend’s wife Chrissy Teigen and their children along with Sufjan...
Dear Tape Op Readers, We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident. Our voices and collective action have never been more needed than right now. Human...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...