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Via the Village Voice and meta-via Brooklyn Vegan comes the tragic news that the NYC recording studio operated by Daptone Records was burgled last night, with a remarkable amount of main brain Gabe Roth's vintage gear lost. Even...
The Weeknd has a special knack for making catchy and accessible pop music that is also sonically interesting, dark, and melancholy. It's hard to believe that his first release, Beauty Behind the Madness, was released almost a decade ago, but if...
by John Baccigaluppi It may not be obvious, but as this magazine’s graphic designer, the recently passed Vaughan Oliver was a major influence on the look of Tape Op Magazine. Being someone who’s not involved with social media, and as...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
Dear Tape Op Readers, We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident. Our voices and collective action have never been more needed than right now. Human...
I didn't do this video. But the guy who did must be spying on me. You can replace the style of music with any style, but the conversation is the same. (Recording Engineers, you can replace mastering with 'my friend has a hacked copy of Cubase.') ...
Producers & Engineers Wing Shop Talk Thursday, July 26, 2012 6:00pm until 9:00pm The Recording Academy Pacific Northwest Chapter Presents: Join Recording Academy members, music professionals, and Jackpot! Studio owner Larry Crane to...
Remember Nino from issue #67? His new Bird and Egg Recording Studio is hosting "an open house of sorts. On Sunday, October 18th between the hours of 2pm and 6pm Bird and Egg will be open for you to see and feel. There will be wine and hors d'ouvres...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond. I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
