There are Giorgio Morodor vibes on tracks like "Volume" and plenty of driving four-on-the floor beats with bubbling basslines throughout. Tempos on the whole are edgy, sometimes hyper and unsettled, but it maintains a grooviness that will keep the dancefloor full of undulating bodies.
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.] It’s a really smart idea to have a couple of fire...
As we close the page on 2010 and its miserable economy, there was one bright spot for music lovers: VINYL. That's right, vinyl. That analog medium that just won't die. According to Rolling Stone* vinyl sales were up in 2010....
This may be the most indispensable tool in my studio. I hear people say that converters don't matter and that most cannot hear the difference. Bullsh*t! If you cannot accurately hear what you are doing you are making uninformed choices. They call...
Stopify.net is a newly published community base and informational resource for why Spotify is damaging to artists and to the music industry as a whole. Check out a centralized list of articles about the topic, and add your two cents to the growing...
June 21st marked the release of a new Menahan Street Band EP, Tropical Man. We interviewed band member Tommy Brenneck for Tape Op issue #147. Tropical Man is a six song EP that has just two songs, but multiple versions/mixes of each. Both...
Check out the new episode from our Creative Recording With Tape Op series! Larry and Geoff discuss the best place to spend your hard earned cash when starting a studio. This episode made possible with support from our friends at...
Larry interviewed Jack White back in Tape Op #82, and we went inside his Third Man Records pressing plant in issue #127. White just released his sixth solo album, No Name. It is a great listen filled with whisps of Zeppelin, swamp blues, Detroit...
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
