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Get Your Free Pass to AES in NYC on Tape Op!
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by Larry Crane In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
Video Release: James Supercave "Burn" What follows may be one of the best answers to the "So, how'd you guys meet?" question we have ever heard. Producer, engineer, and oft-recorded bassist (Black Keys, Ryan Adams, Norah Jones) Gus Seyffert was...
"I sent a package to you several months ago containing some music I asked you to evaluate for me. I respect your background and was hoping that you personally might allow for cutting out a spare hour to do me this favor. Since I never heard from you...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
Larry Crane and Geoff Stanfield discuss mixing analog vs. in the box vs. a hybrid approach in the latest episode of Creative Recording With Tape Op! This episode is made possible with support from our friends at BURL Audio.
Shawn and Brittany on the similarities between the perfect bloody mary and the perfect mix.
I dropped by Powell’s City of Books last night to say hello to Daniel Levitin and hear him talk about his new book, I Heard There Was a Secret Chord: Music as Medicine. I interviewed him in Tape Op #74 way back in 2009. There’s a lot of...
Yup. From 1985 to 1993 I was in a band with the polite name of Vomit Launch. One of our songs, "Exit Lines" is in a movie called "The Wackness", in theaters now. A pretty damn good movie, and our song fits the scene too well! Most of our back catalog...
I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...