Wally De Backer (a.k.a. Gotye) has put together an extensive collection of information and photos about the Ondioline, a electronic musical instrument from the 1940's, on a new website www.ondioline.com!
Dear Tape Op Reader, We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business. Short version: We are cutting our ad rates nearly in half. Why? Here's the long version: Tape Op is an...
Watch the latest episode of Creative Recording With Tape Op, where Tape Op editor/founder Larry Crane and online publisher Geoff Stanfield discuss the fine art of mastering. Watch Now:
We interviewed Herb Alpert in Tape Op #140, and he hasn't slowed down since. He just released his 50th album, aptly titled 50. It is yet another prime example of the lounge pop genre he all but invented with The Tijuana Brass starting in the...
It wasn’t that long ago that when you went into the studio you basically disappeared from the rest of the world into a place with few (or no) windows, and low light. Where time seemed to have a way of getting distorted, finding yourself rolling...
THE GREAT BRITISH RECORDING STUDIOS Howard Massey, an excellent author and recording engineer, is putting together what should be an important book on the British record studio scene of the sixites and seventies. If you were involved in this...
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
Check this joint out. Wow! Thanks to Alex Maiolo for the link!
by Alex Maiolo The term “linchpin” tends to get chucked around pretty liberally when we discuss music scenes, but Ed Ackerson, who succumbed to pancreatic cancer on October 4th, was the very embodiment of it. Ed was one of those...
I received several CDs recently, notably the Monsters of Folk (Jim James, M. Ward, Conor Oberst and Mike Mogis) and Porcupine Tree's The Incident, that I really wanted to listen to but was unable to hear. Why? Because these promo discs were...
