Looking forward to seeing many of you at this year's AES convention in NYC!
CLICK HERE to get your free badge courtesy of Tape Op!
Looking forward to seeing many of you at this year's AES convention in NYC!
CLICK HERE to get your free badge courtesy of Tape Op!
A huge thanks to everybody who participated in the Hurricane Sandy relief auctions we posted last week. Thanks to you and our advertisers, Sound Toys, Avenson Audio, Dangerous Music, Placid Audio, and Universal Audio, we raised $42,578...
Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts...
Studio Engineering and Recording – School of Music, Dance and TheatreHerberger Institute for Design and the Arts at Arizona State University The School of Music, Dance and Theatre at Arizona State University seeks an exceptional...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio. The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing? Music and Auditory illusions are discussed in the New Scientist
As we close the page on 2010 and its miserable economy, there was one bright spot for music lovers: VINYL. That's right, vinyl. That analog medium that just won't die. According to Rolling Stone* vinyl sales were up in 2010....
The Decemberists' ninth album, As It Ever Was, So It Will Be Again, is out now. In 2003 I got a call from Colin Meloy about maybe recording his band, The Decemberists. Tape Op contributor, Adam Selzer, had already recorded some tracks for what...
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
It wasn’t that long ago that when you went into the studio you basically disappeared from the rest of the world into a place with few (or no) windows, and low light. Where time seemed to have a way of getting distorted, finding yourself rolling...
This may be the most indispensable tool in my studio. I hear people say that converters don't matter and that most cannot hear the difference. Bullsh*t! If you cannot accurately hear what you are doing you are making uninformed choices. They call...