Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Amidst all the bad news and chaos in the world, there are a few silver linings. One of them is having a bit of extra time for listening. Whether it's while you are working from home, maniacally crafting or cooking that 57th batch of cookies, it...
Millennia Media Audio Repair Technician job opening
Audio Repair Technician needed for permanent, full-time position.
Must have analog and digital repair experience. Design engineering chops a plus.
Millennia in Northern California, near...
Here's a clip of a rare Rolling Stone interview with the Lizard King talking about making records around 2 1/2 minutes in.
“I could never produce ... because I don’t have the patience for it. I think that’s the main thing. Who's...
Here's a guest spot from our pal Larry Devivo. It didn't quite fit a reply for Tape Op letters, but it's a great story and I wanted to share it. -LC
There is a new microphone made called the Lucas CS-1. This mic is the brainchild of Terry Manning...
With hindsight, you could look at Wilco’s A Ghost is Born as a transitional album. Much has been written about their previous LP, Yankee Hotel Foxtrot, and a documentary film, I Am Trying To Break Your Heart, chronicles how during the making...
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One of my favorite records of 2024 to date is Phosphorescent’s Revelator. It’s a beautifully recorded album, featuring Matthew Houck's timeless songwriting and lyrics plus gorgeous arrangements. I was hooked the first...
Here's a recent email I received:
"I am interested in what you do and how you do it. I guess I am not the average person looking to get into audio engineering. I am 44 and I am an anesthesiologist looking for a second career. I am an audiophile,...
THE ERA OF HI-RES DIGITAL AUDIO IS HERE
I’ve been watching the rise of hi-end digital audio recently, and as I put the individual pieces together over the past year or so a picture is emerging that has inspired me to claim that we are...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...