Interviews » ray-moore

Ray Moore : Moore on Moore: Reflections on the Studio Life, Columbia Records (1957-1995)

BY Vic Svorinich
Ray Moore

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Bob Blank
Issue #167 · Jun 2025

Bob Blank Catching the Moment

By Kellzo _

Bob Blank built his own Blank Tape Studio in downtown New York City in the mid-‘70s out of spare parts and eventually grew the operation into a multiroom facility. Blank Tape recorded everything, from gold and platinum selling disco records to the Talking Heads, Television, The B-52s,

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M. Ward
Issue #167 · Jun 2025

M. Ward Leaving the Door Open to Chaos

By Geoff Stanfield

Geoff Stanfield spoke with M. Ward for an episode of the Tape Op Podcast in August of 2023, around the time of his album supernatural thing was released. Here they dig into his love of collaborations, his analog approach to recording, and more.

Recording Nona Invie’s <i>Self-soothing</I>
Issue #167 · Jun 2025

Recording Nona Invie’s Self-soothing

By John Baccigaluppi

On Friday mornings I go to the new releases page on Tidal and wade through the new music released each week. I'll check out records from artists I know, but what I really enjoy is finding new music from an artist I'm not familiar with that resonates with me. On the last day of

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Jens Jungkurth
Issue #167 · Jun 2025

Jens Jungkurth Following His Ears

By MIke Reilly

Hiring Jens Jungkurth to track and mix your record is a great idea. Mark Ronson [Tape Op #105], Leon Michels [#143], Norah Jones, Brainstory, Menahan Street Band, The Roots, Madlib, and Clairo are some of the musicians and producers who agree. Jens has the perfect combination of deep

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Hazel Mills
Issue #167 · Jun 2025

Hazel Mills Sound = Song

By Zachary Gresham

Hazel Mills is a British pianist, synthesist, and songwriter whose day job is touring with the likes of Goldfrapp, Kylie Minogue, Florence + the Machine, Birdy, Dave Rowntree (Blur), and Fraser T. Smith. Mills's classical virtuosity and passion for sampling, minimalism, and analog

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Migui Maloles
Issue #167 · Jun 2025

Migui Maloles Creativity is King

By Adam Gonsalves

Migui Maloles’ credits, including Fantastic Negrito and Killer Mike, are self-evidently impressive. Even more impressive is how he has applied lessons learned from a DIY recording background to multiple Grammy-winning albums. I caught up with Migui to talk about his journey from Oakland

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