interviews

We talk at length with record-makers about how they make records.

Jan. 12, 2022  |  No. 147

Sandy Stone: A Life of Purpose

by Jane Chiles

A multi-instrumentalist, performance artist, educator, programmer, and author, Sandy Stone’s lived a full enough life to fill several books. With a list of credits that includes Jimi Hendrix,...

Jan. 21, 2022  |  No. 147

Esperanza Spalding: Leaning Into It

by Larry Crane

With her eighth album, Songwrights Apothecary Lab, vocalist, bassist, and fearless explorer Esperanza Spalding blends input from various disciplines and asks the question, “What do we need a...

Jan. 12, 2022  |  No. 147

Taylor Young: Valley of the Palm Mute

by Sam Retzer

There is a portal inside of a garage in Van Nuys, California, that leads to another world. A world of crushing heaviness, monstrous sounds, and violently compelling breakdowns. Despite its modest...

Jan. 13, 2022  |  No. 147

Tommy Brenneck & The Budos Band

by Geoff Stanfield

Producer and musician Tommy Brenneck got his start as a member of New York's Dap-Kings. He has since made an impression on the east coast music scene as a band member and producer on...

Jan. 12, 2022  |  No. 147

Gavin Brown: Producing Results

by Roman Sokal

If there is anyone out there who is meant to be working in music as a producer, engineer, and songwriter that would be Toronto’s Gavin Brown. For years, he has been Canada’s go-to...

Jan. 13, 2022  |  No. 147

Eric Earley & Blitzen Trapper

by Geoff Stanfield

I’ve been following the career of Portland, Oregon's Blitzen Trapper since their first self-titled release in 2003. I think I bought the CD based on the name of the band and album cover alone. I...

Nov. 16, 2021  |  No. 146

Nathan Boddy: Cerebral Sonic Mixer

by Roman Sokal

Looking at, and listening to, U.K.-based mixer Nathan Boddy’s seemingly endless credit list puts him at the top of this game. He’s mixed everyone from Gary Numan [Tape Op #125] to...

Sponsored