Calexico: Joey & John on recording at home and in the studio

BY JOHN ASKEW, VAL CAÑEZ

The first time I tried to reach Giant Sand, OP8 and Calexico drummer/multi-instrumentalist John Convertino at his Tucson, Arizona home he didn't answer the phone. It seemed only natural that when he called back he told me he hadn't heard the ring because he was playing the drums. He and the other musical head behind Calexico, Joey Burns, have been busy. With the follow-up to their first record Spoke, the latest Calexico release The Black Light has kept them on the road in Europe and around the States, seemingly around the clock. But in addition to their rigorous road diet, they have managed to play and record with artists such as Richard Buckner, Barbara Manning, Doug McCombs and their musical alter egos (with long time friend and Tucson music-man Howe Gelb [Tape Op #12]) Giant Sand and OP8. I talked to both of them during some of their time off and asked them about the recordings, the bands, the music business, and Tucson.

High Velocity Sound Engineering: A Manifesto by Oz Fritz

BY OZ FRITZ

Jack Endino

BY LARRY CRANE

This man should need no introduction. At the height of "grunge-mania" he had recorded the records for Mudhoney and Nirvana that started it all. And he did tham fast and cheap. On the back of Nirvana's Bleach was the famous sentence, "Recorded in Seattle at Reciprocal Recording by Jack Endino for $600." Faced with 100 clone bands trying to get the same results (yeah, right) he fled to doing recording work in other countries and sticking to working with "rock" bands that he dug. He was also a member of the awesome Skin Yard, where his guitar skills were in fine form. We tracked Jack down in Seattle while he was tracking the new Zen Guerilla album for Sub Pop at Studio Litho for an in-depth interview.

Suma Recording: Ken & Paul Hamann make recording history

BY STEVE SILVERSTEIN

Looking at my Pere Ubu liner notes, I noted the frequent appearance of the last name "Hamann". After some confusion, I realized that there were two different first names which accompanied it. I learned that Ken Hamann was the father of Paul Hamann, and poked around to find that they'd recorded a Styrenes single and a Girls single. A friend added that Ken Hamann had recorded a Grand Funk album. It wasn't until I talked to the Hamanns that I discovered the extent of their history in recording and the rest of the story behind their studio, Suma, in Painesville, Ohio.