Matmos

Interviews

Octant

Interviews

John McEntire

Interviews

Pete Weiss

Interviews

Dave McNair

Interviews

MORE FROM THIS ISSUE

JULY 16, 2025 INTERVIEWS
Joe Barresi

Joe Barresi: Recording The Melvins, Fu Manchu and the Jesus Lizard

Beware stereo salesmen everywhere. Be on the lookout for customers appearing with a reference album bearing the audio trademark of one 'Joe Barresi', for then your knowledge of signal-to-noise ratios, wattage, ohms, oversampling, woofers and tweeters will truly be tested to their limits and beyond. Barresi has equipment manufacturers' warranty writers pissed off, forcing them to continually rework their clauses to compensate for melting components having been in contact with his projects. For over a decade, Barresi has been a highly sought-after engineer and mixer. Like his treatments of sound, Barresi himself is left-field and ironic — living and working as he does in a land bent on saccharine, packaged music and playlists. Barresi works incessantly. He was an integral sonic part of the inspirational legend that was — and still is — Kyuss, the desert rock band that had single-handedly created a new audience and genre for hard-rock listeners around the globe. He has also put his hands, ears and enthusiasm on some of the most crushing albums of all time by such bands as The Melvins, L7, and The Jesus Lizard. His magical sound is now a genre of its own, bursting with raw soul and ultra-intense power. The louder, the better. It is real. Not all earthquakes in the southern California area are a result of shifting tectonic plates and fault lines — study the epicenter of a seismic occurrence and you might find that it was 'just' Joe Barresi experimenting with an amplifier and a compressor. And if it is a real earthquake, rest assured that Barresi will be competing with the rumbling activity all the way to the very end.

JULY 16, 2025 INTERVIEWS
Jupiter Studios

Jupiter Studios: Velvet, velour, and attention to sound

Martin Feveyear and Christian Fulgham opened Jupiter Studios in 1994 but are running their first local print ad this year. Word of mouth, artistic focus, great sounds, and plenty of vibe have attracted a steady mix of enviable projects. In their years of operation, Jupiter has seen the likes of Mark Lanegan, Tuatara, Presidents of the United States of America, Sir-Mix-a-Lot, Nevada Bachelors, Super Deluxe, and many other Seattle artists. In the process, they've proven themselves an excellent place to track, mix and, master albums or demos.

COLUMNS

Consider the Source
END RANT

GEAR REVIEWS

Gear Reviews

3D Mic CD Microphone Evaluation CD

by 3D Mic CD Microphone Evaluation CD  |  reviewed by Eddie Ciletti

Do you ever wonder if some people truly have a vision or whether they just get lucky? I still haven't figured out what attribute to apply to Lynn Fuston, perhaps a little of both. Last year, just around April Fools Day, he assembled the largest assortment of currently manufactured microphone...

Gear Reviews

B4 Virtual Instrument

by B4 Virtual Instrument  |  reviewed by Rich Hardesty

(VST 2.0, MOTU MAS and Digidesign DirectConnect) I recently had the pleasure of using Native Instrument's Hammond B3 plug-in appropriately dubbed the B4. For those of you like me, who have lusted after the unique character and mystique that has surrounded this most famous of Hammond organs; yet...

Gear Reviews

DHX Dehisser

by DHX Dehisser  |  reviewed by Eddie Ciletti

My dad raised me on swing-era big bands and crooners. In the heat of the summer, we'd be down in the cool basement with a stack of 78 RPM records. Many years later, he showed up at my New York apartment with those same records. A well-equipped son, I have all the necessary gear to play everything...

Gear Reviews

DS201 Dual Gate

by DS201 Dual Gate  |  reviewed by Larry Crane

I used to think that gates were all the same. I bought an inexpensive quad gate years ago and have used it quite a bit for cleaning up a bit of tape hiss or amp noise during mixing. When I tried to use it for cleaning a vocal track I always felt it was a bit slow on opening up at the top of a...

Gear Reviews

IM27 dynamic mic

by IM27 dynamic mic  |  reviewed by Scott Craggs

This Russian beauty will amaze you. It sounds really, really good. Its frequency response is 60 - 17 k and is nearly flat from 170 - 17 k (there are some slight 2 dB bumpsaround3k,5k,and11k).Ihaveusediton acoustic guitar, lead vocal and in a variety of positions on drums, pretty much every place...

Gear Reviews

JM 47 “Meekrophone”Condenser Mic

by JM 47 “Meekrophone”Condenser Mic  |  reviewed by Roger Lavallee

Being familiar with Ted Fletcher's colorful (literally and sonically) line of preamps, compressors and EQs, I was very intrigued by this new microphone. It is a large diaphragm true capacitor microphone, as opposed to your typical electret condenser. According to the manual the design is based on...

Gear Reviews

L2M Mastering Limiter/Expander

by L2M Mastering Limiter/Expander  |  reviewed by Larry DeVivo

You know how there are certain things that come in to your life and once they do you realize that you just can't live without them? That was the experience I had when I first heard the L2M Mastering Limiter/Expander from Requisite Audio Engineering. It seemed as if anything I ran through the unit...

Gear Reviews

NF-1A monitor speaker

by NF-1A monitor speaker  |  reviewed by Eddie Ciletti

On first listen the Fostex NF-1A sounds different from most monitors. Many have a smiley-faced EQ curve, with lots of boom and sizzle to make things sound good. If your critical listening needs have not yet been met, check out the Fostex NF-1A. You'll find it provides more midrange detail, where...

Gear Reviews

online recording courses

by online recording courses  |  reviewed by Steve McAllister

Before I jump into a review of these courses, allow me to tell you little bit about myself. I've been home recording for about 13 years or so, first with a 4-track and an Shure 57, now with an 8-track, a couple of pieces of outboard gear, and a few more mics - nothing too fancy. In the meantime my...

Gear Reviews

Portastudio 788 digital 8-track

by Portastudio 788 digital 8-track  |  reviewed by Colin Frangos

The right-honorable Portastudio line has now entered the digital realm, and once again they've produced a well- engineered, affordable product. At the risk of sounding like I'm on the payroll, the 788 responds so well to such a wide variety of needs at such a cheap price that it's hard to imagine...

Gear Reviews

Proscreen 101 pop filter

by Proscreen 101 pop filter  |  reviewed by Larry Crane

One relatively inexpensive piece of gear that can have a lot of impact on your recordings is the good old pop filter. For most, this is a fabric mesh screen to place in front of a vocal mic in order to prevent plosives - those horrible pops created by "P" and "B" sounds when a burst of air comes...

Gear Reviews

RW 100 Rhythm Watch metronome

by RW 100 Rhythm Watch metronome  |  reviewed by Larry Crane

Playing to a click track is a blessing or a curse, but I'm sure every musician or engineer has had to deal with it more than once. For a while I was burdened with one that would only give me 2 bpm intervals, which never seemed quite right, and trying to figure the tempo of a song was always a hit...

Gear Reviews

Triple C Multi-Band and Envelope Compressor

by Triple C Multi-Band and Envelope Compressor  |  reviewed by Hilary Johnson

I recently had to mix a record at a studio with literally NO outboard gear. What's a girl to do? So I went to the local music store and bought one device: the D2 Digital Delay by T.C. Electronic. I was happy with it's flexibility and therefore was encouraged to try T.C.'s next endeavor: the Triple...