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Sep/Oct 2002

Welcome to issue #31 of Tape Op.

It's the end of summer, so why have I spent so much time indoors? Making records (check out the new Sleater-Kinney, One Beat, dammit), buying and remodeling a house, moving, going to weddings, editing a magazine, driving to Seattle to see Mission of Burma (thanks to Bob Weston) — so much stuff eats up my time. Speaking of that, I may have a bit more free time now that Andy Hong (aka "The Gear Geek") has agreed to take over as "Reviews Editor" of Tape Op. His reviews have been among the finest that we've run, he's always abreast of new recording technology (uhhh, not my strongest trait), and I think he'll do a great job of it. It would be nice to have a day off sometime soon though. I'm trying to work more freelance engineers into my studio to open up my schedule a bit, so wish me luck. I've heard horror stories of "studio burnout" and I'm trying to steer clear! By the way, it looks like we are doing the Second Annual Tape Op Conference next year here in Portland, Oregon on May 30-June 2. Look to www.tapeop.com or our new conference website www.tapeopcon.com for the most current info. Craig Schumacher of WaveLab Recording is now our man-in-charge of the Conference, so wish him luck and buy him a beer next year! -Larry Crane


— LARRY CRANE,EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

Shelly Yakus
Sep 15, 2002 NO. 31 Interviews

Shelly Yakus: Nuggets of Wisdom

Shelly Yakus is one of the true legends of the engineering trade, and his storied career demonstrates the value of an early start. You might even say he was born to record. His father and uncle were c...

Recording Drums
Sep 15, 2002 NO. 31 Tutorial

Recording Drums: A Primer on Recording Drums at Home

Like many other Tape Op readers, I have a home studio. Although I've had numerous opportunities to record in "real" recording studios, I often prefer the laid-back comfort of my own living room. My home setup has neither the carefully constructed walls nor the special acoustic treatments of a well- designed studio — but the no-cost, no-rush feeling of working in my own space and the comfortable amenities of my home (a fridge stocked with more than just cheap cans of beer, windows that let in sunlight, a back porch to sit on) have been compelling arguments to stay at home. Over the years, my goal has been to make recordings in my home that approach the quality of recordings made in pro studios — and I've since discovered some techniques that can make my modest living room sound more like a big studio. For me, the sound of a "real" studio versus a home setup has more to do with the live sound than it does the cost of equipment: It's the interaction of the instruments with the room and how that interaction is captured on tape. With no other instrument is this more evident than with a drum kit. A typical home recording of a drum kit sounds exactly like it was recorded at home — in a small room. On the other hand, a drum kit recorded in a pro studio will tend to sound bigger — with the ambience of a large tracking room giving life to the drums. This recipe is one way that I achieve that bigger drum sound in the confines of my humble home. Let's go through this recipe in steps.

Studio Interns
Sep 14, 2002 NO. 31 Tutorial

Studio Interns: So You Wanna Be an Intern?

As a studio owner, I get several calls and emails per week from people looking to break into the "glamorous" world of recording through interning. These people wish to gain experience in the studio, l...

Free Money?
Sep 15, 2002 NO. 31 Article