Stuart Sikes

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E of The Eels

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Fix it Before the Mix #3

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JULY 4, 2025 INTERVIEWS
Björn Yttling

Björn Yttling: The "B" in Peter, Bjorn, and John

Björn Yttling is standing in my studio manhandling a Moog. He's not getting what he wants out of my old Realistic MG-1 that I've had since high school, but that's no surprise as it's been in the corner for years sucking up dust. He's got a determined look on his face, searching for a way through the noise to get at this beautiful melody that's he's working on. In about two minutes the old bird is singing sweetly — it's a minor miracle. Peter Björn and John — Peter Morén, Björn Yttling and John Eriksson — are at my place for a few days, rehearsing songs and demo-ing for a new record. They're winding up two years of touring for the ridiculously successful Writer's Block. You know, the record with that infectious whistle-laden song, "Young Folks"? C'mon, even your mom has heard it in the supermarket. We've got keyboards and drum machines on every surface and drums and amps strewn about. Even the piano is mic'ed, going into the PA with a ridiculous amount of reverb. They're completing songs and solidifying arrangements. Over the course of three days I hear the same set of songs played fast,slow,beats changed, different instrumentation and different feels. Björn has the band looking at the songs from every angle. It's a rehearsal-heavy pre-production ethos. Björn tells me that he's psyched to be in L.A. because the time difference keeps his cell phone quiet so he can work. Björn is a powerhouse keyboard player/arranger who has been at the core of several great Swedish bands. He's played and toured with The Caesars, Nicolai Dunger and Dungen, as well as producing records for The Concretes, Shout Out Louds, Robyn and Lykke Li. With a fantastic ear for what makes a song tick, records that he works on feel timeless yet sound like they've been beamed in from another planet at times. Never losing the thread of what weaves serious hooks together, his arrangements are deceptively simple but can turn on a dime and head for Sun Ra territory. Just check out Yttling Jazz, his side project that sounds like Raymond Scott bouncing around inside a Mingus pinball machine. Somewhere in the four days that he was in L.A. — in between Björn heckling bands at the Knitting Factory and getting 86'ed and banned for life from one of Steve Aoki's scenester Djnights-we sat down in my dining room to talk it up.

JULY 4, 2025 INTERVIEWS
Christopher Moore

Christopher Moore: Behind The Gear with Seven Woods Audio

Christopher Moore was the man behind the legendary Ursa Major Space Station (SST-282) as well as several other notable innovations in digital audio. Ursa Major was bought by AKG in 1985. Chris was pretty quiet for most of the 1990s until he released a digital clone of the Space Station in 2003. "I am happiest when I am working like an attic inventor, creating original and useful products. Design goals that I strive for include transparent sound, product coherence, simplicity of use, attractiveness, reliability, good heft, clarity of user interface and overall value to the user."

JULY 4, 2025 INTERVIEWS
John Keane

John Keane: Recording R.E.M. and teaching Pro Tools

John Keane, who arguably has had a greater influence on the Athens, Georgia, music scene than any other single engineer or musician, says he "kind of fell into" his role as the city's first studio owner. He had been interested in recording since he got his first Panasonic tape deck as a kid. Later he began recording the bands he played in when he moved into a house in the Normaltown neighborhood in 1980. After experimenting with overdubs and layered sounds on multiple tape decks, he bought his first 4-track, a massive 1/4" reel-to-reel Teac 3340 from local music legend Randall Bramblett and mounted it in a Kroger shopping cart. After recordings of his group, Phil and the Blanks, aired on the local University of Georgia radio station (WUOG), crowds at their live shows grew, and soon other local bands began hiring Keane's services. With the money he made, he graduated from a "crappy" Yamaha mixer and mics to a Ramsa mixer, an AKG 414 and a Sennheiser 421 for the kick drum. In 1983 he borrowed money from his parents to buy a 1/2" Tascam 80-8 8-track. This allowed him to begin producing higher- quality demos for dozens of artists in the burgeoning local scene including R.E.M., Guadalcanal Diary, Dashboard Saviors, Dreams So Real, Love Tractor, The El May Dukes and Club GaGa. Eventually his engineering, producing and instrumental work established the national reputation of John Keane Studios. Over the years he has worked extensively with R.E.M., Widespread Panic and the Indigo Girls. He has additionally recorded albums with Uncle Tupelo, 10,000 Maniacs, Vic Chesnutt, Kevn Kinney, Michelle Malone, Nanci Griffith, Concrete Blonde, Grant McLennan and hundreds of others. In 2001 Keane self-published The Musician's Guide to Pro Tools, which was praised for simplifying — and making light of — the overwhelming learning process associated with the ubiquitous application. The book was picked up by McGraw Hill and expanded in 2004. The second edition, updated for Pro Tools 7, has just been released and Keane recently began using it to teach Pro Tools in the Music Business Program at the University of Georgia.

COLUMNS

Guilty as Charged
END RANT

GEAR REVIEWS

Gear Reviews

402-VLZ3 & 802-VLZ3 compact mixers

by 402-VLZ3 & 802-VLZ3 compact mixers  |  reviewed by Andy Hong

From professional multi-room facilities to bedroom computer rigs, the compact utility mixer is ubiquitous. Whether it's being used for its mic preamps and zero-latency monitoring facilities in front of a DAW, or it's submixing a bunch of outboard effects returning to a full-size console, or it's...

Gear Reviews

992EG 2-ch tube preamp

by 992EG 2-ch tube preamp  |  reviewed by Craig Schumacher

Once you've tasted boutique audio, you're definitely spoiled. A good piece of hand-made gear is like a fine meal at a gourmet restaurant-not food from a formula-based chain restaurant. So, like great chefs, the boutique designers toil away on their respective benches making us really great pieces...

Gear Reviews

ASC-V 500 equalizer

by ASC-V 500 equalizer  |  reviewed by Chris Garges

For some time, Speck Electronics has maintained a reputation for making really excellent-sounding and flexible equalizers in what most consider to be a reasonable price range. I had an opportunity a few years ago to use one of Speck's multi-channel rackmount equalizers and found it to be an...

Gear Reviews

AT-02T Nomad & AT-CF94 tripods

by AT-02T Nomad & AT-CF94 tripods

I recently learned that mic-clip thread adapters-typically called "Euro thread adapters"-fit onto standard camera tripods. This is good news if you are on a budget or have to travel with stands. An inexpensive tripod is typically very light and a lot more stable than an inexpensive mic stand. Some...

Gear Reviews

AT8681 UniMix mic combiner

by AT8681 UniMix mic combiner  |  reviewed by Chris Garges

I am a sucker for recording through outboard preamps direct to a recording device. I'm also a sucker for using a lot of microphones on a sound source. Sometimes these two loves can cause problems in terms of track count or availability of preamp channels. Enter the AT8681. It's a small,...

Gear Reviews

BG No. 2 mic preamp

by BG No. 2 mic preamp  |  reviewed by Scott Craggs

Awhile back, I was looking to augment my meager mic preamp collection, as I found myself not having enough "good" preamps to track a band all at once. I had read a lot of praise for the DAV Broadhurst Gardens preamps online and decided to investigate. I emailed Mick Hinton, the designer, and was...

Gear Reviews

BK-5A vintage ribbon mic

by BK-5A vintage ribbon mic  |  reviewed by Allen Farmelo

Ever since the studio where I do my tracking (Mavericks in NYC) acquired a pair of vintage RCA BK-5A ribbon mics, I've become a big fan and have found a ton of uses for them. It's difficult to track down the production dates of RCA equipment, but the BK-5A was likely produced from roughly the mid...

Gear Reviews

Dimension4 SpringTrap

by Dimension4 SpringTrap  |  reviewed by Larry Crane

The SpringTrap is described by its manufacturer as a "spring-loaded, triple cavity, ported Pistonic/Helmholtz bass absorber." It measures 46" high, with an 18" x 18" triangular footprint, and fits perfectly into room corners. The concept behind this bass trap is rather unique, in that there's a...

Gear Reviews

Duet 2-ch FireWire audio interface

by Duet 2-ch FireWire audio interface  |  reviewed by Jeff Elbel

Apogee has designed Duet to fit the Apple world. At first glance, it's just a brushed-aluminum, paperback-sized case with a big knob on top. There's also a 1/4" headphone jack on the front, along with LEDs to indicate phantom power to two microphone inputs. The back includes a FireWire port and a...

Gear Reviews

Elixir mic preamp

by Elixir mic preamp  |  reviewed by Chris Garges

About two years ago, I received a Buzz Audio MA-2.2 preamp to review for Tape Op (#57). After a while of using this preamp for the review, I fell in love with it, but by the time I had to return it, I had just budgeted for a few high-priced items on my wish list, so the MA-2.2 had to wait. Soon...

Gear Reviews

Follow the Music: The Life and High Times of Elektra Records in the Great Years of American Pop Culture

by Follow the Music: The Life and High Times of Elektra Records in the Great Years of American Pop Culture  |  reviewed by John Noll

In 1950, a nineteen-year-old college student with an interest in electronics met another student in his dorm who had a vast collection of folk records. Having not heard this kind of music before, Jac Holzman "fell in love with the simple directness of melodies and words." He attended a vocal...

Gear Reviews

Liquid, Fluid, and Vapor plug-ins

by Liquid, Fluid, and Vapor plug-ins  |  reviewed by Dana Gumbiner

I first ran across the excellent Audio Damage plug-in line via analogindustries.com, the blog of Chris Randall (ex-Sister Machine Gun frontman). Chris is one-half of the company with Adam Schabtach, and together they've made some stellar plugs which are known for their high quality, extreme...

Gear Reviews

Liquid Mix

by Liquid Mix  |  reviewed by Andy Hong

Liquid Mix is a FireWire hardware controller and processor that utilizes Sintefex's Dynamic Convolution technology to offer emulations of classic and vintage compressors and EQs. 40 compressors and 20 EQs are included, but additional emulations can be downloaded and installed easily. The latest...

Gear Reviews

M4 tube console

by M4 tube console  |  reviewed by Roland St. John Perez

Despite staying somewhat under the radar as far as marketing and promotion in the US, the UK-based TL Audio seem to put considerable time, effort, and love into developing products that find many happy owners. But I'll have to admit, I've always put TL Audio at the back of my "buying" burner. Other...

Gear Reviews

Making Records: The Scenes Behind the Music

by Making Records: The Scenes Behind the Music  |  reviewed by Larry Crane

Has Phil Ramone made some records? Yes he has-and classics at that. Just the cover alone shows CDs from Sinatra, Tony Bennett, Billy Joel, Paul Simon, Barbra Streisand, Ray Charles, Bob Dylan, Getz/Gilberto, Elton John, and The Band. Yeah, not too shabby. If you read Phil's interview in Tape Op...

Gear Reviews

Morphine soft synth

by Morphine soft synth  |  reviewed by Dana Gumbiner

Here's a flexible additive software synthesizer from Image Line, the developers who made the nearly-ubiquitous FL Studio app. Morphine is a standalone application, VSTi, or Audio Unit plug-in for Windows XP/Vista or Mac OS X 10.4+. What is an additive synth? Without getting all up in some complex...

Gear Reviews

P-touch electronic labeling systems

by P-touch electronic labeling systems  |  reviewed by Larry Crane

A few years ago, we splurged on a P-touch labeler for Jackpot!-a PT-1900/1910 for about $60. As anyone who freelances knows, labeling is important in the studio. Stumbling around in a barely-lit room trying to read labels written in someone's nasty scrawl that are about to smudge into oblivion-no...

Gear Reviews

Rack Writer dry-erase panels

by Rack Writer dry-erase panels  |  reviewed by Garrett Haines

For our studio, this was like one of those (smacks forehead) "why didn't someone think of this sooner" inventions. After all, our console has a built-in scribble strip for dry-erase or grease pencils. Why shouldn't our rack gear? The Rack Writer (patent pending) is a high-quality 19" white panel...

Gear Reviews

RX Advanced restoration bundle

by RX Advanced restoration bundle  |  reviewed by Garrett Haines

For many years, the restoration software hierarchy was etched in stone. The top tier featured outstanding performance at a premium price (often costing thousands of dollars per application). Outside of restoration houses and high-end mastering facilities, most engineers had to make due with more...

Gear Reviews

The Musician's Guide to Pro Tools

by The Musician's Guide to Pro Tools  |  reviewed by Larry Crane

We reviewed the original version of this book in Tape Op #31, and back then I felt it really helped get me through my introduction to Pro Tools. Now, six years on, Digidesign keeps moving ahead with new software versions (7.4.1, as of this writing), and with every version, there are new features to...

Gear Reviews

Transducer

by Transducer  |  reviewed by Andy Hong

I'm a sucker for innovative tools that allow for more efficient methods of working, especially when such tools afford you increased flexibility and therefore heighten creativity. My latest acquisition in this category is the SPL Transducer. It's a speaker-cabinet and mic emulator, all done in...

Gear Reviews

Viceroy 1x12 guitar amplifier

by Viceroy 1x12 guitar amplifier  |  reviewed by Geoff Farina

If you read my glowing review of the Carr Mercury in Tape Op #39, you already know that in my humble opinion, Steve Carr builds some of the best guitar amps on the market. So I was not surprised that Carr's new 33 watt offering (which Andy recently purchased for his studio) sounded brilliant from...