I borrowed a friend's Josephson C42's and am having a hard time returning them. I like a small-diaphragm mic with extended, smooth highs and good detail, full midrange, and lows without any boom or big bumps. This mic does all that. Overheads are exactly what I was looking for and acoustic guitars sound like themselves. The mic has lots of detail and very little sense of coloration, yet enough life that it's not sterile. Electronically, it's a FET driven class- A path. The plotted curve, much like a C12, has a big peak in the right place that captures sources in a real way. The cardioid pattern is very even around the axis, and that's rare for any mic. On a '47 Gibson LG2 with a Great River NV, a Hardy, or a UA 2108 preamp, the Josephson sounds like you're standing right there. Very emotionally compelling- that's what hits me most. And for any use requiring a pair, they're giving me the best sound of any small diaphragm condensers I've heard. Great imaging and tonality. Moving the mics around the drums and the various X/Y positions gives different options-all good. The polar pattern and frequency response is present yet not too bright or too boomy, just a good sound that's musical in many locations. On their website, you see some gigsters playing live acoustic guitars with them. I can see that working with this tight and even cardioid, so live use is a good option as well. I prefer these Josephsons to the AKG, Audix, Audio-Technica, Oktava, MXL, and Shure small-diaphragm mics. Most small-diaphragm mics are either too smeared, too flat, or cheaply boomy. This is right in the middle. The pair matching is excellent, as well. For a bit more then the cheapies, around $1000/pair, the Josephsons balance the detail/clarity/fidelity elements with the musicality/ liveliness that simply makes things sound good. I've only used a few of the high-end staples of this style, yet these things are sounding very high-end; and for what you're getting, the price/performance is righteous. (matched pair $1060 MSRP; www.josephson.com)
Microphones | No. 27
C-1, C-3
by Ed Pettersen
You've probably heard something already about all the inexpensive mics being manufactured in China, with the idea being that they capture the magic and essence of the classic German mics at a fraction...