When Arturia introduced a new series of Brute synths and a Eurorack/power supply system at NAMM last year, we had several reviewers asking about them. Thom Monahan is an experienced analog synthesizer...
At the time I am writing this, despite vastly different and confusing advice and regulations from governments around the world, almost all doctors and scientists agree that if you care about the...
Back in Tape Op #130 I reviewed the Triad-Orbit reissue of the Starbird mic stand and was very favorably impressed, as have been all the engineers who've used it here at Panoramic House Studios. Since...
Anyone familiar with the iconic Roland Juno-6 or 60, will know and love the analog bucket brigade (BBD) chorus effect that is part of that instrument. Now that classic effect is available as part of a...
The French brain trust at Arturia has done it again with MicroFreak; yet another brilliantly designed instrument that's intuitive, highly playable, and builds on some classic designs – but one...
I can't say I'm a huge fan of the part of the Behringer business model that seems to copy designs and intellectual property from other manufacturers, then rebuild said designs super cheaply in China....
I love simple, thoughtfully-designed tools for the studio that solve a common problem, and do so inexpensively. The Royer Labs R-121 [Tape Op #19] ribbon mic is one of the few products made in the...
Welcome to the brave new world of DSP! Along with folks like iZotope, Audionamix is on the cutting edge of spectral based DSP technology that can do previously unheard of things with audio. These...
If you’ve been following my reviews in Tape Op, then you may have already read my reviews of several virtual software instruments based on the original Synclavier hardware synthesizer [Tape Op...
When Arturia introduced a new series of Brute synths and a Eurorack/power supply system at NAMM last year, we had several reviewers asking about them. Thom Monahan is an experienced analog synthesizer...
Note: I was using this product and was so excited about it, that I wrote this review. Then as I was finishing it up, I remembered Tom Fine already reviewed it a few issues back [Tape Op #124] –...
This latest soft synth moves in a totally new direction for Arturia as it’s not an emulation based on a vintage hardware synth (that’s been their stock in trade for over a decade) –...
When I reviewed Synclavier V [Tape Op #118] last year – https://tapeop.com/reviews/gear/118/synclavier-v/, I ended the review by saying that the software didn’t include any of the...
