I was excited to receive an email from Colin Adshead at AML (Audio Maintenance Limited) about a new product in the works; their take on the Neve 1081 microphone preamp and equalizer – a personal...
I didn't know I needed the Avid S1 until I started using it. Most of my production work is done in Pro Tools. I utilize outboard gear via inserts, and I've used an Avid Artist Mix for fader rides at...
Sweet, smooth sounding and easy to use – this is my one sentence review of the Chandler Limited 500 Series TG12345 MKIV EQ. It's nice sometimes to have all the options for surgical precision...
There is nothing like a good, solid FET compressor. The Universal Audio 1176 has been on countless records – for good reason. It's very fast and it has its own sound, but it also has an enormous...
Chameleon Labs has been around since the early 2000s, when they made their mark with their popular inexpensive British-style mic preamp and EQ, the 7602 [Tape Op #51]. John Baccigaluppi reported in...
I first met Bryce Gonzales about five years ago through our mutual friend and pillar of the Los Angeles music community, Jonathan Larroquette. Jonathan is a longtime manager, fixer, and fixture at...
Tascam released something that will interest growing studios. The SERIES 8p Dyna offers 8-channels of mic pres with 1-Knob analog compressors, phantom power, eight analog outputs (on DB-25 or TRS),...
Built for the 500 Series format, the Avedis E12G has 12 bands, instead of the customary ten found in many graphic EQs. The additional frequencies provide for 12 kHz (filling the gap between 8 kHz and...
Gamechanger Audio is a Latvian-based company founded in 2015. Since then, they've released the Plus Pedal, the Motor Synth, and this new line of Plasma distortions. With their namesake as a constant...
Leapwing Audio, makers of the exceptional DynOne dynamics plug-in,now approach stereo manipulation with the release of StageOne. With three distinct uses, this plug-in is beneficial in mixing and...
Mastering audio today involves more than just creating loud and exciting stereo music masters. The mastering engineer takes on the roles of quality control, metadata oversight, and of course,...
For years, I've been tortured by drum gates. First, in the analog realm, where I'd be mixing poorly-recorded tracks (sometimes my fault) and I'd attempt to use gates to add punch and clarity to my...
