John Cuniberti records artists in the "OneMic" series with a single AEA R88 stereo ribbon mic. Results? Impressive!
Shawn and Brittany on the similarities between the perfect bloody mary and the perfect mix.
Why did I think I could set up my home studio in a couple of hours when it took four months to move Jackpot! to a new building? Tomorrow's shopping list: Solder, S/PDIF cables, etc... I'm amazed at how tangled and messy this quickly got. All I...
We interviewed Mike Campbell for issue #150, right around the time he and his band, The Dirty Knobs released their second LP, External Combustion. A year on, the band has released a new collection of music, Vagabonds, Virgins and Misfits. The Dirty...
I love this series of simple video interviews with Rupert Neve from Rupert Neve Designs. Here he discusses creating his first transistor-based mixer.
Tape Op contributor and studio owner/engineer/producer Mike Caffrey recently sent me some thoughts he had about visitors to the studio during sessions. See issue 73’s upcoming end rant for the origins of this piece. -LC I always tell...
Listen One of my favorite records of 2024 to date is Phosphorescent’s Revelator. It’s a beautifully recorded album, featuring Matthew Houck's timeless songwriting and lyrics plus gorgeous arrangements. I was hooked the first...
In issue #62, Josh Boughey reviewed the Monome 40h, a minimalist button-and-light interface which can be used to run musical applications. It's absolutely captivating in its simplicity; I'm writing this as an outsider, but as far as I can tell, the...
Yup. And here's the video. Funny as shit. "Thanks AutoTune!"
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
