Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Across more than 100 tracks, MEMPHIS captures Elvis from the earliest stages of his career at Sun Records/Memphis Recording Service to his final recordings in Graceland’s Jungle Room, with stops at other iconic studios such as American and...
Weirdest email to Tape Op ever? This one takes the cake. Delusional. -Larry From: XXXXXXX Date: June 18, 2011 12:56:02 PM PDTTo: larry@tapeop.comSubject: LETTER OF INQUIREHope that Mr. Larry Crane will receive this...
We sent intrepid reporter Jeorgia Anderson to cover this fascinating event. -LC When I read that the Association for Recorded Sound Collections (ARSC) was holding their 45th annual conference in downtown Los Angeles May 11-14, I went to...
Producer, mixer and engineer Eric Valentine has a video series out that digs into making records. This video takes a look at his approach to mixing drums. Enjoy!
Well, not my maker but the man behind the baby that is our RND5088 console at Jackpot! I got to spend a little time (and a photoshoot) with Rupert Neve at The Magic Shop in NYC during the AES convention last week. Thanks to Steve Rosenthal for...
You saw it here first! In this video, we step into Adrian Quesada's (Black Pumas, Grupo Fantasma) Electric Deluxe Studio for an in depth breakdown of "Mentiras Con Cariño, the single from his latest release Boleros...
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
Reader Mike Petkau dropped a line about the cool site and collaboration he started: "I wanted to point you to a project I've currently wrapped up. For 16 weeks, every Wednesday, I've brought 3 very different musicians from different backgrounds to...
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...
