Read the review of the RND 5088 Console
In issue #62, Josh Boughey reviewed the Monome 40h, a minimalist button-and-light interface which can be used to run musical applications. It's absolutely captivating in its simplicity; I'm writing this as an outsider, but as far as I can tell, the...
Excellent mini-documnetary The Psychology of Analogue, featuring Julie McLarnon. Definetly worth 30 minutes of your time!
Maybe its a party. Maybe its a dinner party. Maybe you run into people on the street. But you know the situation: You are with your significant other. And you run into another audio-type with his/her/its significant other. Instead of being...
Dear Tape Op Readers, We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident. Our voices and collective action have never been more needed than right now. Human...
Every year at about this time Tape Op Magazine sends out a holiday card to our writers and advertisers as a bit of cheer. This year, in thinking about those in our communities who are struggling, we have opted not to do a card and instead make a...
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime Read the whole interview with Brittany and Shawn HERE
Yup. From 1985 to 1993 I was in a band with the polite name of Vomit Launch. One of our songs, "Exit Lines" is in a movie called "The Wackness", in theaters now. A pretty damn good movie, and our song fits the scene too well! Most of our back catalog...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
For his new release, Honey, Caribou's Dan Snaith (Tape Op #35, #105) wears his Detroit techno influences on his sleeve, and uses AI to explore and reimagine vocals as well as manipulate his voice, to create an album of dance tracks that...
