Read the Tape Op interview with Annie Clark
Watch the video for "Broken Man"
If you want to stay in business you need to record all kinds of bands, including those you don't care for. (This is actually a shock to some people. It is. They don't last long, and their refusal to work with anyone except bands they hand-pick is...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...
I think it's for real? Is it? What is it? Why? See Barry Rudolph's report on Treeverb
Here's a tip that costs nothing for materials, might be good for the environment, and can save some headaches down the road. I don't know about you, but our Postal Delivery Person insists on bundling our mail in rubber bands (gum bands for our...
John Cuniberti records artists in the "OneMic" series with a single AEA R88 stereo ribbon mic. Results? Impressive!
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
A huge thanks to everybody who participated in the Hurricane Sandy relief auctions we posted last week. Thanks to you and our advertisers, Sound Toys, Avenson Audio, Dangerous Music, Placid Audio, and Universal Audio, we raised $42,578...
After reading Larry's "Eliminate Variables" End Rant from last issue, I was compelled to write a response. Don't get me wrong, I agree completely with everything he said; so before you read any further, revisit the back page of issue #92. I...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
