Here I am at Powell's City of Books in Portland doing the book reading. Quite fun to get up and make an ass of myself in a book store. Thanks to Leigh Marble and Ben for playing sweet music, to Kevin Sampsell for arranging this for Powell's, and to Jenna Sather for arranging this on our end. Buy the Tape Op book, Vol. II!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Seems like it's Sylvia Massy week over here at Tape Op! Here is another cool session trailer from Mix With The Masters where Sylvia records the Melvins!
Over the last few years we've seen an explosion of online music services. Pandora, iTunes, Spotify, Rhapsody, Soundcloud and dozens of other platforms are touted as groundbreaking ways to deliver music to listeners. But this success is on the...
Legendary British sound engineer and producer Andy Johns has died at the age of 61.
During his more-than-thirty-year career, Johns worked with some of rock music's biggest names, engineering records for Led Zeppelin, The Rolling Stones, Eric...
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
James Goss has interviewed many independent record store owners across the country to see how they stay in business and what they sell. Every month a new store will be profiled with interviews and photos. Pretty fun. Here's the link: Vinyl Lives
Sometimes when artists release compilations of "bonus" tracks, or songs that were recorded for an album but were left off, it is quite obvious why. With Juana Molina's new EXHALO, this is not the case! Each track on this four song EP is...
Steve Daubenspeck and Greg Freeman are Ancient Farmers and their new album is called Seventh Heaven.
Greg Freeman was featured in Tape Op #1, and had previously recorded two albums for Tape Op founder Larry Crane when he was in the band Vomit...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
I’m normally not that into live albums, but Nils Frahm is not a normal musician. I saw him play live in 2018 when I interviewed him for Tape Op, and it was hard to believe that he was the only musician on stage. Blending electronic elements...