Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
We interviewed both Gareth Jones (Depeche Mode, Erasure) and Daniel Miller (Mute Records, The Normal) in Tape Op #110. Collectively they are Sunroof, and have just released Electronic Music Improvisations, Vol.3. This collection follows...
Vinyl 101 - Preparing Your Release for Vinyl from Telegraph Mastering on Vimeo.
Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
Our pal Ronan Chris Murphy does this cool "TV" show on his site, http://ronansrecordingshow.com, and the most recent one is with me and John Baccigaluppi where we talk about Tape Op Magazine. I think it's a good insight into how the mag works and who...
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.] It’s a really smart idea to have a couple of fire...
Here’s a fun and upbeat track from an unlikely collaboration between John Legend and Sufjan Stevens. Check out the first single “L-O-V-E” that features Legend’s wife Chrissy Teigen and their children along with Sufjan...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection. It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...