Producer, mixer and engineer Eric Valentine has a video series out that digs into making records. This video takes a look at his approach to mixing drums.
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)*** THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical" by Ainjel Emme (originally...
Come see The Wrecking Crew film at Hollywood Theatre in Portland on Saturday May 8th. There are a number of other screenings happening coming up. I shared the stage with director Denny Tedesco and watched his film in Cleveland recently, It's an...
This may be the most indispensable tool in my studio. I hear people say that converters don't matter and that most cannot hear the difference. Bullsh*t! If you cannot accurately hear what you are doing you are making uninformed choices. They call...
I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...
Dear Tape Op Reader, We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business. Short version: We are cutting our ad rates nearly in half. Why? Here's the long version: Tape Op is an...
Hey, have a listen to the panel we did at SXSW. Jesse Lauter is an American producer/mixer/engineer. He has worked with The Low Anthem, James Blood Ulmer, Ingrid Michaelson, Elvis Perkins, Marco Benevento, Smokey Hormel, Alela Diane, Diamond...
Tape Op contributor, Chris Mara, has organized an amazing studio event coming up. I wanted to go but sessions have stopped me. If you can make it, this sounds like a lot of fun. Tape Op Messageboard Thread and instructions Welcome to 1979 Studio
Link here for a free pass to the 127th AES Convention in New York City, Oct. 9-12, for “Exhibits Only” registration. Come on down and visit the Tape Op booth and harass us about missing issues or why we don't review your CDs or write...
